Not the best gallery space around, but it's free and it'll do!
Sunday, 9 July 2017
Printing out the Wizbang artworks wasn't something I'd planned when I did them, but I thought it might be fun to do. So I chose the Mind Probe and Pet Demon ones, added simple posterization to the images of them and printed out 20 of each. I laminated each one, then took half of them into Dewsbury town centre and stuck them up in various places, such as the following:
As you can see on the left with the photos above, others tend to stick posters up all the time on phoneboxes. The fact that they use ordinary tape shows what little thought they have when doing it. Even when such posters are torn down, they always leave those ugly tape marks. I had to be careful not to do that, as it can be seen as criminal damage (which it is really). For that reason, I chose to use Magic Tape. And, as anyone who uses such tape knows, one of its features is that it doesn't leave that annoying tape mark behind.
As well as phoneboxes, I also chose bus shelters. I avoided empty shops fronts, as they're still private property even though they are unused. I know that people rarely use phoneboxes these days (and judging by the condition of them, BT seems to maintain them to that level) but they do make a good starting place for such urban galleries. These prints might help brighten up someone's day, and if that happens then they've done their job well.
And yes, if you see any of them, you are free to take them!
That's what they're there for, after all. What other art gallery allows you to walk around it taking whatever you like? Not any that I know of, and you'll find that each print has been signed and numbered by me on the back.
One last thing. If any of you uses a laminator, avoid Texet laminating pouches, they really are shit! (And their laminators are pretty crappy too).
Sunday, 11 June 2017
(Green biro on 127mm x 76mm notecard)
- NOT AVAILABLE -
An unusual artwork, and the first of a few that I'll be doing. It's inspired by those that believe in guardian angels and spirit guides. I suppose it's really no different to those that believe they've been abducted by aliens. An idea that some higher being has, for some obscure reason, singled them out as something special. A constructed personal sense of worth in a world where they feel they have none. It's quite sad really, in that aspect, so who am I to begrudge them their little fantasy?
What I find amusing about them, though (especially with regard to spirit guides) is why they tend to be mostly American Indians aiding those with no heritage of such. I have this strange scenario in my mind of all these Indian spirit guides lining up to clock in and out of duty, with one suddenly turning to another and saying: "What the fuck are we helping these bastards for?"
In reality, these "entities" could be anything you want them to be. After all, it's your delusion, so why not treat yourself to something different? Like a sexy little elf-woman with a sword, for example.
Wednesday, 31 May 2017
THE MAP SELLER
(Pencil on 116mm x 154mm cartridge paper)
THE ROTTING CORPSE INNE
(Pencil on 123mm x 192mm cartridge paper)
Normally, I wouldn't put such pieces up on this blog as these. They're older works, done in the latter part of 2000 and early 2001. I thought I'd lost them, but found them last year when doing a bit of clear out. They were meant to be a spoof of the old Fighting Fantasy gamebooks that were popular during the 1980s, and I had the idea of doing more of them, but must have gotten side-tracked by something else and completely forgot about them.
But it wasn't the theme of them that struck me as interesting, but more the battle of ideas that took place within them, which I was unaware of at the time. The idea of skav art was struggling to rise against the dominance of traditional art processes. If you look at them, you'll see it for yourself. They're both under A5 in size, I used no reference when working on them, and I wasn't too concerned for the odd mistake I made (The area under the map should have been in a darker shade, and yes, those fingernails do need cutting, don't they?) But that didn't matter for what they were.
However, the old art processes repeatedly stamped on it at every turn. The work had to be done with decent cartridge paper - 135gms at least. I used more than one grade of pencil for background and foreground. I even remember doing some quick pre-concept thumbnail sketches (especially for the pose of the corpse in the second one). But the final killer blow for the desperate idea of skav art was, of course, the ruled line around them both. Such a shame. It put up a good fight, but just wasn't strong enough. I've probably done other pieces like that before and after these were done that had the same struggle going on, but these two are a good example. I've added the final pages below, with their text, to show what I was going to do with them. I could finish the project off with skav artworks, and I still might at some point, but I thought it was a good idea to show them now. The one thing I did do when I found them was laminate them with the words: "Not quite skav!" written on the back of each.